UP FRONT

  • Beethoven Summit ‘25 to open in London
  • ICCM welcomes distinguished scholars to the International Conference on performance practice
  • Premieres of new works in New York and Warsaw
  • Celebrating Shostakovich with ECO
  • Commissions: Sadikova, Kulenty, Riccardi, Dorman
  • Upcoming recordings: Best of Lutosławski, and Beethoven’s Missa Solemnis
  • Release of a new recoding on Signum Classics: Penderecki, Mykietyn, Błażejczyk
  • Inspiration: painters Mahallati and Rouach
Colouring outside the lines

Avant-garde art tends to set precedents rather than follow
them. But invention is secondary to inspiration. By definition,
new art often “colours outside the lines” but it is the power of creativity that moves us. The upcoming season’s design in it-
self is a case in point. Inspired by contemporary painters, Goli Mahallati (Iran) and Marie Rouach (Israel), it brings together a coherent yet dramatic collage of masterworks that span from
Shostakovitch to our current times — an artistic experience not to be missed.

FEATURED ORCHESTRAS, CHORUSES, & ENSEMBLES
2024/25 Season

English Chamber Orchestra

Royal Philharmonic Orchestra

Sinfonia Varsovia

London Symphony Orchestra

The Hanover Band

Crouch End Festival Chorus

Musica Sacra (New York)

Beethoven Youth Orchestra (London)

Oratorio Society of New York

Orchestra of St. Luke’s (New York)

Budapest Symphony Orchestra

Manhattan String Quartet

Hashtag Ensemble (Warsaw)

Consone String Quartet

Bizjak Piano Duo (Paris)

CONCERTS
2024/25 Season
Mavericks & Iconoclasts Series

BEETHOVEN, SYMPHONY No. 9  Beethoven Summit ’25, London

Friday, April 4, 7:30 p.m.

Britten Theatre, RCM
Soloists
The Purcell Singers
The Hanover Band
Benedict Hoffnung, conductor

Beethoven Summit ‘25, London opens with

a gala and a historically informed perfor-
mance of Beethovens Symphony No. 9 fea-
turing an all-London cast of soloists, The Pur-
cell Singers, and The Hanover Band.

 

This concert is a part of the BEETHOVEN SUM-
MIT ‘25, London — Beethoven Festival and International Conference.

MUSIC AT NOON
Beethoven Summit ‘25

Saturday, April 5, 12:00 noon
Recital Hall, RCM
Consone String Quartet
Works by Beethoven and
contemporaries

One of Englands’s premiere period-instrument
ensembles performs rarely heard gems by
Beethoven, Carl Czerny, and Emilie Mayer,
including Beethoven own arrangements of
his Piano Sonata No. 9.

 

This concert is a part of the BEETHOVEN SUM-
MIT ‘25, London — Beethoven Festival and

International Conference.

MISSA SOLEMNIS
Beethoven Summit '25

Saturday, April 5, 7:30 p.m.
Amaryllis Fleming Concert Hall
Williams/Rudge/Presno/Jeffery
Crouch End Festival Chorus
The Hanover Band
Zvonimir Hačko, conductor

First performance of Beethoven’s monumen-
tal mass in Bärenreiter Urtext Edition, featur-
ing an international cast of soloists, chorus,

and a period-instrument orchestra.

 

This concert is a part of the BEETHOVEN SUM-
MIT ‘25, London — Beethoven Festival and

International Conference.

COMMISSIONS
2024/25 Season

WOJCIECH BŁAŻEJCZYK
composer
Poland
AZIZA SADIKOVA
composer
Uzbekistan
HANNA KULENTY
composer
Poland
RICCARDO RICCARDI
composer
Italy

ON THE COMMISSIONS FRONT

We are proud to announce new commissions by an exceptionally gifted group of composers listed above, hailing from various parts of the world. This coming season they will see their works premiered at Lincoln Center in New York, Nowy Teatr in Warsaw, Cadogan Hall in London, and Carnegie Hall in New York City by such notable ensembles as the Manhattan String Quartet, Sinfonia Varsovia, Royal Philharmonic Orchestra, the Orchestra of St. Luke’s (NY), and others.

AVNER DORMAN
composer
Israel/USA

BEETHOVEN SUMMIT '25
International Conference

BEETHOVEN SUMMIT ‘25 / London
International Conference in Performance Practice
4-8 April, 2025, London
Royal College of Music

The five-day scholarly conference is a part of the Beethoven Summit ‘25 – a larger event which also includes a festival. The conference itself focuses on a reconsideration of established approaches to Beethoven’s music and a review of discoveries that have shed new light on the subject. Six distinguished musicologists from the Continent and the United Kingdom will be in residence during the course of the conference.

 

The Summit’s overall purpose is to bring performers and scholars together in order to discuss and exchange insights about Beethoven’s works and their interpretation in light of current findings — thus bringing us closer to the original sound of Beethoven’s music.

 

The Summit offerings include concerts and recitals by renowned artists, period-instrument orchestras, contemporary orchestras, choruses, and ensembles; presentations of scholarly papers by Beethoven scholars; and public forums/panel discussions involving conductors, instrumentalists, singers, and musicologists. The intent is to bring the worlds of performance and scholarship together for the sole purpose of helping us come closer to the original glory of Beethoven’s music.

UPCOMING RECORDINGS
2025

BEST OF LUTOSŁAWSKI
Date tba, 2025
Royal Philharmonic Orchestra
Concerto for Orchestra &
Symphony No. 3
Zvonimir Hačko, conductor

BEETHOVEN: MISSA SOLEMNIS
October 2025
Soloists
Crouch End Festival Chorus
The Hanover Band
Zvonimir Hačko, conductor

Bohuslav Martinů

ALL MARTINŮ RECORDING
November 2025
Concerto for Two Pianos & Orchestra,
Sinfonietta La Jolla, Les Fresques
Bizjak Piano Duo
Zvonimir Hačko, conductor

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